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Graham has turned from being an engineer who began mixing my online act Shmolts, to a close friend and now a mentor and teacher. I have been working with him for a year and I have reached a stage where I send him the stems and he knows what to do. And that’s quite rare with engineers these days. You need people like Graham in your projects because you want your engineer to work ‘with’ you and not ‘for’ you. In Shmolts’ case, it’s even harder because it isn’t really a band but a remote online collective. i.e. I write songs and I have it recorded at different places/ studio/ home-studios either locally or internationally. And you need a talented engineer like Graham to get the best out of what you’ve recorded.

Without him, I don’t think I could do this. He is in-fact a part of Shmolts.

Thanks G. You are a legend.

Jay Serrao

Latest Post

How To Program Realistic Sounding Drums

10th December 2018

You may be songwriting, demoing or doing full productions. At some point in these processes it isn’t practical or viable to setup and record real drums. What are you going to do? You reach for digital drums. This process is super easy if you are a drummer. Lets face it, most drummers have already screamed …

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